The Next Big Thing: Salanntùr and The Seven Wonders of Scotland

The talented Lynsey May kindly asked me last week if I wanted to pick up the baton and share my Next Big Thing. Over the last few weeks, writers have written about what they’re doing next and asking other writers to do the same. The resulting blog posts make for inspiring reading! I couldn’t turn down a chance to brag a little, so here goes.

1. What’s the title of your latest story?

Salanntùr. It’s one of seven stories in a collection called The Seven Wonders of Scotland.

2. Where did the idea for the story come from?

Birlinn put out a call for  submission for an anthology of stories about imaginary Scottish wonders that said something about Scotland as she is today, or what she might be tomorrow. I’d been reading an article about an idea for slowing global warming: kilometer-high salination towers floating around the Faroes. It was in part based on research done at the University of Edinburgh. I though “what if that worked? What if we’d been working towards that solution for decades – how would that affect Scotland, and what could it mean for the world?

3. What genre does your story fall under?

Literary fiction.

4. What actors would you choose to play the part of your characters in a movie?

The main two characters are Janet, a journalist from Glasgow, and Arthur, a not so nutty professor. In my mind, Janet looks something like Fiona Bruce but she’s not an actress. Hm. Let’s pick Kelly Macdonald for that role, though she’s a little too young. Arthur is tall, tweed-clad, and ageing gracefully in the salty air of northern Scotland. I need someone distinguished who can make us believe him when he flips from warm to cold. John Hurt would be perfect.

  

See? Don’t they look great? Now imagine them wind-swept and covered in salt. (Images from Wikipedia.)

5. What is the one sentence synopsis of your story?

It’s Scotland’s greatest gift to the world – a kilometre high tower that will float around the world’s oceans to spray a thin mist of salt water into the air, reflecting sunlight out towards space, cooling the earth – but it is a controversial gift because of how the building of it affects the local environment.

The Seven Wonders of Scotland6. Will your story be self-published or represented by an agency?

Neither. Salanntùr is part of an anthology, The Seven Wonders of Scotland, and launches at Blackwell’s Bookshop, in Edinburgh, 18:30 on November 27th. Come along! Kirsti Wishart, Gavin Inglis and I will read from our stories. Gerry Hassan, the editor, will be there too.

7. How long did it take you to write the first draft?

I should know that to the minute, but I don’t. I wrote the first draft in stages to get it in to review with my writer’s group. The first version they saw took maybe four hours to put together and was a magazine article and a long list of bullet points. (The one that said “Epiphany here” got a good laugh.) I think I spent another six or eight hours filling in the gaps before I had something that can be called a first draft. It was way too long so I spent some time whipping it into shape.

8. What other stories would you compare it to within your genre?

The format – split between the first-person article that the journalist writes after her visit to Sallantùr and a third-person account of her experiences there – feels well established but I can’t think of a particular story that I’ve read that uses it. Books often use that structure but then the introductions are proportionally shorter.

9. Who or what inspired you to write this story?

My friend Helen Jackson told me about Birlinn’s call – I wouldn’t have know anything about it if she hadn’t mentioned it. Then I played with different ideas. The salt spraying tower came to me quite quickly, but in its first incarnation, it was a bone-white, 150 meters tall, 2,000 year-old salt-spraying tower that rose from the middle of Loch Ness. Imagine that long valley, dusted in salt, sparkling dully in the sunshine: black water, white, white ground and a spire, straining towards the sky. It was a nice image, but rather too baroque for what I was trying to say.

10. What else about your story might pique a reader’s interest?

It has everything you might want in a story: strong characters, evocative environments and science. I’d like to visit Salanntùr, it’s an intersting place. It’s a pity it’s fictional.

Now, I’m passing the Next Big Thing baton on to Gavin Mcmenemy. Gavin’s was my first writer’s group (it was a small group) and writes great stories, often, but not always, with in the sci-fi genre. He has a story in the Diamond Light Source short story anthology Light Reading. The cover art is, in fact, an illustration for his story. So, what’s next? Take it away Gavin!

Status update: you have to do the work to meet the goals. Bugger.

The thing with plans is that you’re supposed to hold yourself to them. That’s rather a joyous thing, when everything’s going according to, but when things aren’t quite, well, a plan can turn into a measuring stick against which you come up short. About the time it was time for me to take stock again, I realised I wasn’t quite meeting my goals. You can only procrastinate for so long, so here’s my almost quarterly progress support.

  • Send out one new story per month: nope. Not done that. I’ve written one per month, but I haven’t been very good at sending them out. I’m getting better at completing stories (editing) but I need to spend much more time finding markets.
  • Send each story out at least five times before retiring: in progress. Finding markets is quite time-consuming (see above) and I need to spend more time on that task.
  • Finish plotting novel: in progress. I still need to figure out a couple of details about the end, but I’m happy doing that as I go along.
  • Write novel: started. I’m behind but not by much and might still be done with the first draft for Christmas.
  • Do four spoken performances: my fourth reading will be at the launch of The Seven Wonders of Scotland, the fifth and final this year takes place on December 2nd, at The Bongo Club, from 20:00. It’ll be fab: the theme is the ocean. My story’s about corals. Sort of.
  • Make £75 from writing: done. With change. I’m going to double this goal for next year. Who says there’s no money in fiction?
  • Get four stories published: three down, one to go. Not looking likely at this juncture. And I know why: I haven’t sent enough stories out. if you don’t send, you don’t get accepted. Send, send, send. Keep punting that writing.

The next update will be in January, with a new set of goals for the year.

The Seven Wonders of Scotland launch and Illicit Ink

The Seven Wonders of Scotland
The Seven Wonders of Scotland, an anthology from Birlinn examining Scotland today through tales of fictional wonders, is out early November. The book was launched at Changin Scotland last weekend, and has a second launch at Blackwells Bookshop on November 27th, 2012, 18:30 (not 18:00 as first advertised). Gerry Hassan will introduce the book and there will be readings, from me, Kirsti Wishart and other of the writers.

I’ll also be reading at the next Illicit Ink event, 20,000 Words Under the Sea, at The Bongo Club, on December 2nd, 2012, 20:00. The inspiration for my piece, The Corals Wave Back, comes from my natural history hero, David Attenborough, and The Living Ocean. I don’t think I’ll be alone in taking inspiration from that quarter. You’ll also hear Helen Jackson read Ms Chalmers and the Silent Service, Lynsey May and other local writers.

The glory of pre-proofs

There’s something very special about pre-proofs, the printed (or PDF) examples of what your text looks like laid out and formatted as it will be in the book. It gives me a thrill of excitement, every time. I write my stories in Scrivener, and the output usually looks quite ugly. Standard manuscript format is double-spaced and uses Courier, not the prettiest of typefaces.

But when the text is typeset, with margins, page numbers, my name on the first page, a proper font: golly, the text looks gorgeous. Amazingly, it reads better too. It is a pleasure to read through the words, find characters or punctuation that’s gone wonky and return corrections.

There’s something even better than proofs: the finished book. That’s the most beautiful thing in the world.

I just looked at the proofs for Birlinn’s collection The Seven Wonders of Scotland, out later this year. It looks lovely. (The stories are rather good too.)

Status update: successes and failures

I had targets and goals. A plan. It’s been four months since my last update so it’s time to have a hard look at where I am against it.

  • Send out one new story per month: it kind of depends on how you count it, but I think I’m still behind by one story. Editing. I need to finish editing the three stories that are sitting in my pile, waiting to be finished and submitted.
  • Send each story out at least five times before retiring: in progress. I have five stories doing the rounds at the moment.
  • Start plotting novel: I won’t claim that it’s entirely complete, but I’m far along enough that I can get started.
  • Start writing novel: started. I’ve got some 15,000 words which means I’m behind.
  • Apply to Story Shop: total fail. My story did not get selected. Better luck next year.
  • Do three spoken performances: three down, one to go.
    That was as far as I got the last time I took stock. Since then I’ve added goals…
  • Make £75 from writing: done. Once the cheques arrive.
  • Get four stories published: three down, one to go. (The Wolf at the Door was on Flashes in the Dark in May, Foundling will be in New Writing Scotland 30 in august, and Salanntúr will be in The Seven Wonders of Scotland in October.) I’ve got five months to sell one more story. Wish me luck!