In April, we performed Lady Scientist Stitch and B*tch as part of the Science Festival. Somewhere between a reading and a play, the performance saw six scientists talking to each other about their careers and lives.
We heard nice things from the audience, but we, the performers, really enjoyed writing the stories and working together. Collaboration is rewarding and you always create something bigger than when you work alone. We have been looking at ways to take the stories further and were hoping to do a repeat – improved – performance at some point. We’re looking at weaving the stories more tightly together, maybe adding other scientists and, to avoid confusion in the knitting community, renaming it ‘B*tch and Stitch‘.
Just after that first performance, the idea that we might do it again was exhilarating but the reality felt far away. Now it feels more real since we’re in discussions about a second and possibly third performance.
Watch this space.
I’m reading Baby Ben is Crying at Illicit Ink (at The Bongo Club) on May 5th. This time, Babs, Illicit Ink’s benevolent dictator, opened up the floor for performances with a little extra. Costumes are welcome, of course, as are story telling without notes (gasp!) and collaborations.
My friend Rhian Thompson makes electronic music. She likes sine waves and interesting sounds. We first talked about doing something together last year, over beer after the New Writing Scotland launch. When I read the call for Illicit Ink’s Sleeptalking I thought of that chat and got in touch with Rhian. Could we do something together? Yes, we could!
Rhian’s developing background music and Foley and I’ll provide the voice over and story.
So, what was the story? Ah. Well, you know. I hadn’t written it at that point.
So I wrote a story, let it rest, reviewed it, re-wrote it and wrote a second story just in case. Rhian, meanwhile, started collecting sounds. A call on Facebook for the sound of children crying made me very excited: crowd sourcing sounds is collaboration above and beyond my expectation.
Now the story’s written, edited, recorded and submitted. We’re locked in to baby Ben and his pain. Rhian’s collected sounds and we’ve met to talk about lighting and costume. We’re good to go, pretty much.
Come along and hear us. R. A. Martens, George Anderson, Kirsti Wishart, J. A. Sutherland, and Andrew C Ferguson are some of the other writers performing on Sunday. It’ll be awesome.