If you’re here because you searched for me after reading In Woodsmore Village in Scotsman Magazine this weekend: thank you! Thank you for reading and thank you for taking the time to find out more about me. This is my blog. Here, I write about writing, and track the progress of my first novel.
Edinburgh’s a great place to write: it’s got an active and supportive writing community. It also has the Book Festival and it was at the Festival, year before last, that I decided to take writing seriously. That meant writing and sharing what I’d written. Hansel & Gretel, and Me is the first competition I’ve entered and I am over the moon to have won. I didn’t expect to. I didn’t really expect to be on the shortlist.
In my day job, I’m a technical writer and copywriter. (Basically, I write manuals and websites for software companies.) That’s a very different thing from writing fiction. Interesting in its way but necessarily more restrictive. The very freedom of fiction, the fact that you can go anywhere you want, is daunting. It is also what makes it such fun to write – and to read.
If you want to read more of my writing, have a look at the Read me page. It’s got links to the few pieces I’ve got on this site, as well as details of my published pieces.
Thank you again for stopping by.
Happy new year! Mine got off to a great start when Bryan Christie called me from the National Library of Scotland to tell me that I won the Hansel and Gretel creative writing competition they ran with the Scottish Ballet. I’m pleased as Punch.
The brief was to come up with a story of no more than 2,000 words that ends when the children go in to the forest. What happens next – the gingerbread house, the witch and the oven – we know only too well. But the bit before is more of a mystery. The brief moved the woodcutter’s house out of the forest and in to a village where children had been disappearing. There are now only two left and they’re not safe because there’s something evil out there. What is it and what’s happening?
Re-thinking a text that you know well is difficult but also great fun. My first stumbling block was the village – what village? What other children? Suddenly, the story grew an entire community that hadn’t existed before. I tried to think of scenes that would work in a ballet, scenes that are expressive and have emotional resonance, and weave them into the plot. 2,000 words doesn’t stretch to both detailed description and plot so there’s only one crowd scene, I tried to use mood and sketches to fill in the rest. I don’t know if the judges saw what I intended them to see but the story clearly worked.
The 12 of us who were on the short-list have been invited to a writing masterclass with Louise Welsh, who was one of the judges, and I believe we’ll get to see behind the scenes of the ballet too. According to the brief “some of the ideas explored will be used to develop the ballet production“. Some of my ideas, or moods, might inspire Christopher Hampson, the choreographer. The thought that I’m part of a greater creative process is really exciting.
As an extra bonus, my story – In Woodsmore Village – will be published in Scotsman Magazine. The planned date is Saturday, January 26, but that could change. I’ll keep you posted.
How many copies will I buy? Oh, quite a few.